The blank page is a field of possibilities. But, let’s face it, it’s intimidating. How do we put those first lines down, in order to have something to work with? How can we banish the internal censor that limits subject matter and language, that dictates what is, and is not, “poetic”? How can we bring the particulars of our lives to the page in ways that will speak to readers? This session will involve an exercise of six simple prompts that address these questions in unexpected ways in order to counter the inertia and frustration of the encounter with the blank page.
Karen Solie grew up in southwest Saskatchewan. Her five previous collections of poetryโShort Haul Engine, Modern and Normal, Pigeon, The Road In Is Not the Same Road Out, and The Caiplie Cavesโhave won the Dorothy Livesay Award, Pat Lowther Award, Trillium Poetry Prize, and the Griffin Prize, and been shortlisted for the Derek Walcott Prize and the T.S. Eliot Prize. A 2023 Guggenheim Fellow, she teaches half-time for the University of St Andrews in Scotland and lives the rest of the year in Canada.